Author Archives: David Kunian

Creole String Beans, Shrimp Boots and Vintage Suits (Threadhead Records)

Really, is there more to life than Shrimp Boots and Vintage Suits? The shrimp boots, a symbol of life here on the Gulf of Mexico, sum up that rocking Gulf Coast sound that made for hit after hit in studios from Rampart Street to Crowley. This quartet with honking horns (including baritone saxophone, the Gulf [...]

View Comments | Posted in Reviews

John Sinclair and His International Blues Scholars, Let’s Go Get ‘Em (Mo-Sounds)

Even though he is an expatriate, John Sinclair should be declared a national treasure. He’s a poet, historian and musicologist who, instead of publishing his research and findings, declaims them in the oral tradition with music. His latest works revisits themes he has worked with before and also adds several new poems and interpretations to [...]

View Comments | Posted in Reviews

John Sinclair & Hollow Bones, Honoring the Local Gods (Straw2Gold Records)

Even though he is an expatriate, John Sinclair should be declared a national treasure. He’s a poet, historian and musicologist who, instead of publishing his research and findings, declaims them in the oral tradition with music. His latest works revisits themes he has worked with before and also adds several new poems and interpretations to [...]

View Comments | Posted in Reviews

Jonathan Freilich, Electric Eggplant (Independent)

Jonathan Freilich’s guitar work and compositions are the sound of modern jazz in New Orleans. Although sometimes abstract and angular, they have rhythmic bounce and melodic sense that is much more accessible than similar music made in other settings and still reflect the best New Orleans music. His new album, Electric Eggplant, features musicians who [...]

View Comments | Posted in Reviews

Aurora Nealand and the Royal Roses, A Tribute to Sidney Bechet: Live in New Orleans (Independent)

Sidney Bechet’s music and prowess on the soprano saxophone was every bit as powerful, soulful, and inventive as his New Orleans compatriot Louis Armstrong, but Armstrong became the most famous jazz player ever and Bechet became more of cult figure. Aurora Nealand and the Royal Roses’ new live recording, A Tribute to Sidney Bechet, is [...]

View Comments | Posted in Reviews

Branford Marsalis/Joey Calderazzo, Songs of Mirth and Melancholy (Marsalis Music)

For the past decade, the Branford Marsalis Quartet has been one of the best working jazz bands on the planet. The tightness of that unit is reflected in this duo recording from saxophonist Marsalis and pianist Joey Calderazzo. Songs of Mirth and Melancholy starts with a jaunty blues from Calderazzo’s pen, “One Way,” that has [...]

View Comments | Posted in Reviews

Helen Gillet, Running of the Bells (Independent)

It’s hard to define what kind of music cellist Helen Gillet plays on this record. There is a contemporary classical vibe to this as well as a jazz sensibility and an avant-garde edge. However one chooses to define it, it is great music. Gillet plays her cello and uses effects and loops to add to [...]

View Comments | Posted in Reviews

Reverend John Wilkins, You Can’t Hurry God (Fat Possum Records)

It’s hard to believe that the same Fat Possum who put out the bad man blues of R.L. Burnside, T-Model Ford, and the “Crack Whore Blues” is now releasing a spiritual album, but when the artist is the Reverend John Wilkins, it makes sense. Wilkins is the son of Robert Wilkins of “Prodigal Son” and [...]

View Comments | Posted in Reviews

Preservation Hall by Shannon Brinkman and Eve Abrams (LSU University Press)

Preservation Hall is renowned worldwide for its music and spirit. In their new book about the Hall, photographer Shannon Brinkman and interviewer Eve Abrams capture that spirit in both beautiful shots and heartfelt comments from the musicians who populate it. The photographs focus on the musicians, the audience, and the setting, and Brinkman captures it [...]

View Comments | Posted in Bookmark

AFO Records: All for Fifty

In 2011, African-American-owned record labels are not news. Motown is the best-known example, and New Orleans has had No Limit and Cash Money Records. In 1961, the notion of African-Americans owning a record label was a radical one, but it was Harold Battiste’s vision. AFO (All For One) Records was not only Black-owned but a [...]

View Comments | Posted in Features