Anyone who’s witnessed Glen David Andrews on a good night knows he is capable of being the most charismatic performer in New Orleans. Up until now, you had to be there to appreciate his talent, though. His 2004 Dumaine Street Blues demonstrated his capabilities playing traditional jazz and New Orleans street favorites quite well but [...]
Over the past few years, saxophonist Khris Royal has emerged as one of the most exciting up-and-coming musicians on the New Orleans music scene. He’s one of George Porter, Jr.’s Runnin’ Pardners, and his own funk-fusion outfit, Dark Matter, has been busy establishing itself as one of the city’s most incendiary live acts. On the [...]
On Carnivale Electricos, Galactic delivers exactly what the title promises. The funk band turns its attention to Carnival music, and electricity is central to every track. Carnival in New Orleans, Rio and Cajun Country may rely on acoustic instruments, but like From the Corner to the Block and Ya-Ka-May, Carnivale Electricos is the product of [...]
Outside of the original Mardi Gras in New Orleans that appeared in the mid-1970s and 2000’s Mardi Gras Essentials, this CD is no better but no worse than the plethora of Mardi Gras CDs currently available. What does set Meet Me at Mardi Gras apart is that it probably has the longest time span of [...]
Attention musicians: For those thinking they need to rush their product out with sub-par material and inferior packaging for that nifty festival gig, take note of Gina Forsyth. The New Orleans singer-songwriter/roots musician never releases anything before it’s damn good and ready—and then some—thanks to Katrina and other life interruptions. Her solo sophomore effort is [...]
Despite the personnel changes over its eight-year existence, the Lafayette Rhythm Devils still manage to find new grooves to mount its formidable dancehall attack. As evidenced on its first disc in five years, credit newest member Blake Miller for part of the spark. Besides his loose, innovative attitude in the studio, the talented accordionist never [...]
Intended as the companion to 2010’s Chamber Music Society, Esperanza Spalding’s latest release explores pop and its power on radio. For an artist whose credentials are questioned by various jazz cops, this is a rather frank way to tackle the question of “crossover.” If the previous album was uploaded by the mainstream through whatever mechanisms [...]
In the early 1980s, prog rock guitarist Robert Fripp routinely railed against the evils of bootlegging, not for monetary or proprietary reasons but because in his mind, live recordings rarely do what they implicitly aspire to do. They document the band’s live performance but not the way it struck an audience. They don’t have the [...]
What most people don’t realize about Cajun music is that it was a family tradition long before it was played professionally. Such is the case here with John and Jane Vidrine (of Magnolia Sisters fame), whose charming collection of traditional Cajun fare and three originals resemble a sonic family photo album. The tradition that the [...]














