Lost Bayou Ramblers

Lost Bayou Ramblers

Mammoth Waltz

(Bayou Perdu)

Think you know what Cajun music sounds like? Think again. For the past couple of years, the critical response to live appearances by the Lost Bayou Ramblers at local southwest Louisiana clubs and festivals, as well as far-flung bohemian enclaves like New Orleans’ French Quarter; Austin, Texas; and Brooklyn, New York, has mostly been the [...]

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Truckstop Honeymoon

Truckstop Honeymoon

Steamboat in a Cornfield

(Squirrel)

Truckstop Honeymoon’s fourth album since its post-Katrina relocation to the bleached Kansas prairies is more of a New Orleans record than anything the husband-and-wife couple of Mike West and Katie Euliss ever did during their Crescent City residency. Nearly all of the arrangements feature a horn section steeped in trad jazz—an odd but welcomed juxtaposition [...]

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Kynt

Kynt

The Whole World Is a Stage

(Independent)

Since 1992, Kynt has been possibly the only New Orleans artist recording and performing electronic house music. A rocky childhood in foster homes compelled Kynt to sneak out at night to dance at gay French Quarter clubs. The music there inspired him toward his own original house compositions, several of which have found their way [...]

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Leroy Martin

Leroy Martin

My Old Swamp Pops, My Old Friends and Some New Stuff

(Jin)

It’s virtually impossible to summarize Leroy Martin’s eight-decade career in professional music succinctly: musician, writer, bandleader, producer, engineer and historian. In the ‘60s, his Acadians backed up Vin Bruce while his Vikings squadron supported Joe Barry with Martin producing Barry’s national chart topper “I’m a Fool to Care.” Barbara Lynn, Jimmy Donley and Mickey Gilley [...]

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Christian Serpas and Ghost Town

Christian Serpas and Ghost Town

Open Road

(Independent)

Little things make a big difference with Christian Serpas and Ghost Town. Serpas can write the sort of clever song that no one in country has written in 20-plus years, generally with good, Beatles-esque pop sense. They’re not going to change the world, but they can be a lot of fun. When Ghost Town records [...]

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The Big Ol' Nasty Getdown

The Big Ol' Nasty Getdown

Volume 1

(Getdown Entertainment)

During the late ‘60s/early ‘70s heyday of Parliament/Funkadelic, George Clinton would regularly herd a few dozen musicians into the studio without a real game plan, let the jams flow with the players in various states of alteredness, and somehow emerge with a tape full of classic grooves. This is a trick that you probably shouldn’t [...]

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Sir Patrick & the Swamp Bottom Boys

Sir Patrick & the Swamp Bottom Boys

Sir Patrick & the Swamp Bottom Boys

(Independent)

A great thing about Louisiana: across the state, everyday people play instruments for the entertainment of everyday people. America 2012, you can save your digital remove, your pretense of higher purpose, your caring government. Every Friday night, in countless dives and backyards in every wet parish, folks drink and dance under the same spell that [...]

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Keith Jarrett

Keith Jarrett

Rio

(ECM)

Keith Jarrett has been putting out solo piano records for 40 years now. I’ve tried to keep up with his vast output over the years, and own maybe 15 of the more than 100 albums he’s appeared on since the late ‘60s. Like many fans, I’m particularly mesmerized by his solo efforts, and place Köln [...]

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Brass Bed with Allison Bohl

Brass Bed with Allison Bohl

On Nilsson

(Crossbill)

Harry Nilsson is no stranger to album-length cover projects. At his creative peak, the hedonistic early ’70s in L.A., Nilsson dragged an obscure American songwriter named Randy Newman into the public eye with the tasteful Nilsson Sings Newman. That record finds him interpreting Newman’s work as well as anyone since, showcasing Nilsson’s rich voice and [...]

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Domenic

Domenic

Get Your Soul Right

(Independent)

Pittsburgh guitarist Domenic Fusca now calls New Orleans home and is a Frenchmen Street regular. Although Get Your Soul Right is generally a blues album, strip away the blues dressings and “City Girl” or “These Hearts” could be pop or country covers. I hear Bruce Springsteen covering “Time.” I’d like the CD better without the [...]

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