Barry Stephenson, Basic Truths (Independent)

If some jazz fans have yet to discover bassist Barry Stephenson, his regular rhythm section mate drummer Jamison Ross and many of the other excellent musicians on this album, they will. Stephenson, a Florida native now residing in New Orleans, is among the cream of the crop of young jazz musicians who are making their mark on both the local and national scene. The core of the artists heard on the absolutely solid Basic Truths represents the rather recent development of the New Orleans/Florida State University/pianist Marcus Roberts connection.

Stephenson’s pen is responsible for all of the material on the disc that, following a short intro, dives into his exuberant “Battle of Apollo and Dionysus.” In this case, the competitive engagement is between saxophonists Ricardo Pascal and Joe Goldberg backed by a small, capable unit of brass. Pianist Chris Pattishall, who attended Florida State and impresses throughout the CD, boasts flying fingers on an accelerated tune that, with its certain old school flair, should please jazz lovers.

Good programming enhances the album, making it sound like a well thought out radio show. From the large ensemble it moves to a trio format on “Triple Bypass,” on which Stephenson’s warm and inventive basslines can be fully appreciated. A funky edge, accented by his bass, Ross’ drums and Goldberg’s baritone, is given to the rather lengthily, yet intriguing titled “Message from Abrasive Negro: It Is What It is (Y’all Ain’t Ready).”

Strings as well three vocalists are added later giving yet further dimensions to the package. New Orleans vocalist Glen David Andrews, with whom Stephenson has played and toured, brings his rich, gospel style to the title cut.

A sense of deep spirituality prevails on one of the album’s most expansive and exciting cuts, “Mothaland.” Stephenson’s and Ross’ absolute compatibility lives in the quieter moments of their earthy duo before the full band enters with a bright explosion.

Basic Truths validates the basic truth that jazz lives from generation to generation through its essence of sharing and caring.