The Ella Project, a non-profit organization providing pro bono legal, business, and advocacy to Louisiana musicians, artists, and grassroots non-profits has submitted a series of suggestions concerning the next mayor’s music and culture policy platform. In an effort to achieve “an overarching goal to promote a healthy ecosystem where music and culture may continue to thrive in New Orleans,” the organization submitted its suggestions as the city approaches its tricentennial in hopes of setting New Orleans on a trajectory that will allow it to flourish over the next 300 years.
Addressing each mayoral candidate independently, the Ella Project’s suggestions ask the reader “to envision New Orleans as a city where artists and musicians are self-empowered socially and economically, where the means of production and distribution will be rooted in the community and decision makers, and where urban planners and business leaders will appreciate the importance of creatives to their long-term interests. The relationship between the makers of culture and the mainstream power structure will be reversed. The default policy will be that city-wide public performance of music is encouraged with limited exceptions, justified only by reasonable, consistent and clear considerations.”
The full list of music and culture policy platform suggestions is as follows:
- Develop a comprehensive music and culture strategy using best practices and an inclusive process with measurable outcomes and accountability enforcement.
- Establish a full-time, designated and authorized liaison between city government and the music and cultural community, with an independent budget and staff exclusively committed to working with stakeholders to address music and culture issues on both a proactive and reactive basis. Whether a music office, a music commission, and whether a city agency and/or an independent nonprofit and/or a hybrid, include stakeholders in the development of the structure that will oversee this work.
- Develop a comprehensive sound strategy and fully fund it for implementation before 2019.
- Hire a qualified sound expert as an independent contractor to shepherd this process, and ensure all stakeholders have an equally reasonable part of the process.
- Immediately formally repeal section 66-205 of the municipal Noise Ordinance, which is the city-wide ban on musical instruments after 8pm. This section has already been publicly recognized as unconstitutional by the New Orleans City Attorney’s office.
- Promote public health care models that sustain and strengthen our cultural community culture in mind, body and spirit. Work directly with the New Orleans Musicians Clinic to develop strategies for the well-being of our musicians and culture bearers.
- Develop a strategy for the night-time economy, including but not limited to shifting hours on several code enforcement officers to address issues such as sound, parking, litter and other matters that often fall to NOPD.
- Support ongoing music and cultural education and performance, including neighborhood-based grassroots initiatives.
- Reduce fees associated with parading for Social Aid and Pleasure Clubs. Establish a permit structure that encourages cultural traditions, with fair and anti-discriminatory standards.
- Increase the Community Arts Fund by $60,000 per year for a total of $240,000 during the first term to support parading and public performance activities via the More Joy funding category and to support continued arts education via the city’s organizational funding category
- Fund local musical acts on tour by piggybacking on the State’s Music Ambassadors program. Use existing tourism funds (as the State does) to provide a stipend to qualifying musical acts performing outside the state borders in a qualified venue. Supplement the State’s $1,000 stipend per qualifying musical act with an additional $500 from city funds.
The Ella Project’s submission of suggestions follows MaCCNO’s recent release of candidates’ responses to a cultural policy questionnaire. New Orleans heads to the polls on Saturday, October 14.