At least that’s what he thought until monster bassist Lee Allen Zeno (Buckwheat Zydeco) and jazz drummer Frank Kincel heard ’em. They wanted in and essentially shaped Christian’s solo affair with a Boogaloo foundation on most tracks.
Christian achieves an artistic milestone with a handful of songs that were written from a third-person perspective.
It’s something he has rarely done but through various encounters, the experiences of others were transformed sonically, such as the offshore worker yearning for reconciliation (“Louisiana, Hold My Baby”) and the ex-con trying to live clean (“Payment Down”).
On “Her Promised Land,” a young mother attempts to battle her way through insurmountable obstacles. The title song sports two versions, an electric and a heartfelt acoustic version.
Despite Christian’s folkie sensibility, he also defies strict categorization. His vocals occasionally border on soul-ish and he dives into blues, swamp pop and infections, Zeno-powered funk at the drop of a hat.
Additionally, he’s an impressive finger picker—witness the ripping jazz-tinged romp “Too Much.” Christian may not be easy to pigeonhole but he’s nobody’s remora either.