It seems young, improvisation-based. groove-dedicated bands are doing everything they can these days to distance themselves from the career threatening “jam band” label. The negativity surrounding the jam band tag comes from a belief that many bands of this ilk eschew the importance of composition for the chance to play as many notes as humanly possible. This practice does impress many, especially when seen live, but in the studio becomes tedious. Brotherhood of Groove, led by guitarist Brandon Tarricone, has made a debut album that shows moments of exciting musicality and inspired playing, but too often falls into the jam band sinkhole. Pocket Full of Funk boasts appearances from trumpeter Michael Ray, saxophonist John Ellis, and pianist Michael Pellera who provide a much-needed veteran presence to the raw talents of Tarricone, drummer Dan Caro and bassist Alan Broome. The main problem with the album comes from the songwriting. Melody takes a backseat throughout most of the outing except for the gentle “Sunrise Over Madrid” that stands out with beautiful interplay between Ray and Ellis, and Tarricone’s nimble acoustic finger picking. Another high point is Michael Pellera’s piano work on “Society Folk” that has the feel of a 60s era Herbie Hancock tune. Tarricone is obviously an exceptional guitar player with ample technique and intensity, but seems intent on displaying his ability with large servings of wah wah pedal and other guitar/amp toys that do nothing more than camouflage the mediocrity of the compositions. Brotherhood of Groove has only been around for a year, so expect the band’s sound to mature and expand quickly as the overall talent is superb. With stronger material, this band could do great things.