Painting of Louis Armstrong by James Michalopoulos, courtesy of the Louisiana State Museum

Exhibition of paintings by James Michalopoulos focuses on his music-themed work

 

James Michalopoulos, New Orleans’ most recognized living artist, conjures the moods and syncopation of jazz in an exhibition at the New Orleans Jazz Museum that opens on Thursday, April 29. This retrospective, titled From the Fat Man to Mahalia: James Michalopoulos’ Music Paintings, will span the artist’s most recent paintings of street musicians to rarely seen works, loaned from private collections across the United States–including the original painting for the Jazz Fest poster of Louis Armstrong, which hasn’t been in Louisiana in more than 20 years. The exhibition will run through January 1, 2022.

“My work tends towards the expressionistic,” said Michalopoulos. “It is gestural, energetic, and colorful. I think there is a quality of movement in most of it. This is due to my ability to sense the pulse of people and objects. I love the lyric that life can be: off-kilter, chaotic, and colorful, a kaleidoscopic unfolding. I try not to interpret too much because I believe it stifles the work. The picture is a boogie and I’m the boogie man. I am a medium for an inspirational circumstance. I’m on the lookout for the enlivening.”

“We are excited to work with James Michalopoulos on this exhibition.  James brings a unique perspective that is quintessentially New Orleans,” said Greg Lambousy, director of the New Orleans Jazz Museum. “The exhibition will pair his music-themed paintings with instruments and other objects from our collections, exploring connections between the visual arts and music and illuminating the vibrant music scene in the lower French Quarter, a vibrancy that will return in time.”

Exhibit curator David Kunian elaborates: “James Michalopoulos’s paintings of the icons of New Orleans show his understanding of their characters and style: Mahalia Jackson losing herself in song, Allen Toussaint’s uncontained grin depict an appreciation and love for both the musicians as well as the music. This love extends to his portraits of the nameless musicians on the street or in the corners of the music clubs of the city.  The exuberance of music making is what this exhibit is all about.”

The Museum welcomes guests for the opening on Thursday, April 29, at 6 p.m. The Adonis Rose Ensemble will perfomr and refreshments will be provided by Celebration Distillation and Louisiana Pizza Kitchen. This event is free and open to the public with a limited capacity. Please register here.

To ensure the best safety and social distancing practices, the Museum will be timing entrance into the exhibit throughout the evening. Guests, staff, and musicians are required to wear a mask unless actively eating, drinking, or performing.

For more information on the exhibition, visit here.