Only a few years after moving to Lafayette from Sealy, Texas, Cedric Watson has become one of the most prolific contributors to Acadiana’s recent outpouring of roots music. Through recent recording projects—his collaboration with accordionist Corey Ledet on Goin’ Down to Louisiana and his work with the highly-acclaimed Pine Leaf Boys—Watson has quickly become one of South Louisiana’s most recognized artists. Though it’s clear in these records that his appreciation and devotion to Creole and Cajun music’s past is strongly influential on his playing style, his distinct presence and creativity is easily noticed in every project. It was only a matter of time before a full and unadulterated Cedric Watson recording came into being, and on this self-titled release the talent and spirit we’ve all come to expect from this young Creole musician shines through.

A healthy sampling of solid and funky Creole-rooted tracks like Boozoo’s “Tee Black” and the original “Ma Chère Grandmère” feature Watson’s strong and grooving accordion work weaving over a killer rhythm section, and his masterful fiddle skills and stirring voice stand out on the Cajun-tinged waltz “Tu Seras avec Moi”. Some of his songs borrow heavily from traditional standards, but instead of sticking to the same old lines, he uses these songs familiar themes like a wide platform on which to let his own sense of experimentation and playfulness to come through.

Interspersed amongst these traditional-styled tunes are some particularly interesting stand-outs. The rollicking “Zozo Noir” highlights a sliding fiddle hook and sweet-toned guitar ride over a swinging beat reminiscent of shuffling poodle skirts and bobby socks. The arresting Juré “J’ai été tout autour du Pays” reflect his obvious respect for the origins of Acadiana’s cultural music while contributing to engaging rhythm of the album. Watson’s productivity and talent and ability suggest he’ll soon be cutting more gems for us all to enjoy.