Trumpeter/vocalist James Andrews remains old-school as he waves away the notion of preconceived stylistic barriers. On Hear No Evil, he moves naturally between New Orleans rhythm and blues, hymns, swing, classic jazz and brass band second line jumps like many musicians who came before him. A few favorites from the disc include the light-hearted “My Tremé,” a traditional jazz instrumental with the trumpeter swinging with relaxed finesse. The trombone solo by his brother, Troy “Trombone Shorty” Andrews, and saxophonist James Martin continue the easy, pure attitude. “Call the Police” successfully marries reggae and classic jazz with its skanking jump beat and humorous lyrics. Andrews again proves his flair with words on the New Orleans style jazz tune “Invitation.” It may have blossomed further had he applied a similar laid-back feel to the vocals that he employed on “My Tremé.” Occasionally, Andrews’ penchant for showmanship, which works so well on the bandstand, disguises his real talents as a singer. The album moves to different shores with guests pianist Eduardo Tozzath and guitarist John Bagnatto stepping in for the sophisticated Latin jazz number, “La Chica Dolce.” Suprisingly—and smartly—“What a Wonderful World” is offered as an instrumental made fresh with modern and Latin jazz accents and strong soloing. Mixed between the many new tunes are standards like “Down by the Riverside” and a revisit to “Money Back.”