It’s such a blessing that this talented collective headed by guitarist Davy Mooney with drummer Brian Blade, saxophonist John Ellis, pianist Jon Cowherd and bassist Matt Clohesy was able to record an album before a live audience on January 27, 2020. The site was National Sawdust, a nonprofit venue and producer located in Brooklyn, New York. These hugely talented musicians enjoy a long history of performing and recording together and all but Clohesy share a New Orleans connection. Mooney is a native of the Crescent City and the others lived, studied and honed their chops in the city.

All the material comes from Mooney’s pen—some brand new and others that have been heard on previous recording. The opener, a fresh composition, “Kid Flash,” represents how these guys work and their holistic, improvisational compatibility. Individually and collectively they are at once sophisticated and powerful.

There are many quiet moments and various instrumental pairings between the players throughout the album such as on “Milly’s Song” and “St. Paul’s.” The rhythm picks up and things even start swinging on “Wrinkles” on which multiple reedman Ellis works out on tenor while Mooney proves that a guitarist does not have to sacrifice fine tone for speed. He and Blade trade bars with the drummer using his entire kit to create a plethora of melodic textures.

With its catchy melody and light-hearted tempo, “Prospectin’” stands as another winner. Cowherd, who excels throughout the disc, shows a bit of his old school flair throwing in some quotes from standards and adding bluesy piano trills. Actually, everyone blazes on this cut.

Davy Mooney & Hope of Home Band Live at National Sawdust musically proclaims the beauty of sharing freedom and democracy.