Ellis Marsalis, May Your Christmas Be Bright: Jazz at Christmas in New Orleans (ELM)

This is a Christmas album that celebrates the season with genuine spirit and substance. When pianist Ellis Marsalis vibrantly transforms familiar carols with jazz interpretations, they are heard with new ears.

The often rather stoically rendered “We Three Kings” comes alive with an upbeat tempo, wonderful piano flourishes and the lively vibraphone played by son Jason, who acts as vibist and drummer on many tunes throughout the disc.

His rhythms alone open “The Little Drummer Boy,” as he offers a quiet drum cadence that gains volume creating the illusion of a parade drawing near. Marsalis’ piano states the melody, but then with a surprising twist the groove gets downright funky. There’s no need to worry about dismay when the trio swings out on “God Rest Ye Merry Gentleman,” driven by Bill Huntington’s solid walking bass.

The remarkable voice of Cynthia Liggins Thomas wonderfully decorates the musical program as she teams with Marsalis on two negro spirituals, “Rise Up Shepherd and Follow” and “What You Gonna Name That Pretty Baby” as well as Thad Jones’ “A Child Is Born.” Her pure tone and sincere delivery truly embrace the essence of the season.

An array of tempos and moods ornament the album from the sparkling “O Little Town of Bethlehem” to the warm glow of “Christmas Time Is Here.” This less-familiar tune is soothingly delightful in its simplicity. This completely compatible trio glides and jumps together with the ease of long-time companions.

The musicians bid a goodnight to all with Mel Torme’s “The Christmas Song” that ends with the echo of the piano and the ring of a cymbal lingering in the air.